(via namanhaseguinte)
[porque os anjos também caem… ________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________]
An X-ray of two lovers kissing (via)
“Perhaps the reason why Balthus dared to paint the limbs of a young girl was that he was attempting to provoke narrow-minded 20th century notions of eroticism. And so in this photographic series the dual presence of innocence and eroticism points to the objectification of 20th century values, which is itself an important part of the work.” — Hisaji Hara
The Japanese photographer Hisaji Hara’s photographs are reminders of the past with a modern interpretation. By using Balthus’s paintings as inspiration and avoiding any use of digital manipulation, he meticulously constructs his images in camera. Multiple exposures, smoke machines, cinematic lighting, a vintage interior—all work to create a painterly atmosphere. These photographs, with their reinterpretations of Balthus’s paintings, challenge us to rethink the relationship between subject and viewer, including our notions of innocence and propriety.The first European solo show of Hisaji Hara’s work ends this month at the Michael Hoppen Gallery in London. And for a thoughtful exploration of the exhibit, check out Sean O’Hagan’s review in the Guardian. —Lane Nevares
(via cavetocanvas)
[Flash 9 is required to listen to audio.]
(Source: manifestoconservador)
“Souvenirs” by stricher gerard
Oil on canvas
146x114 cm
February 2012
(via smallestmanonearth)
(via sonhosdiurnos)
Lee Morgan: The Quintessential Hard Bop Trumpeter
“Blue Trane” by John Coltrane (1957)
The 19-year-old Morgan appeared on 18 sessions in 1957. Coltrane’s Blue Train is one of the best, a gem from the Blue Note catalog that is loaded with jewels. Morgan reportedly used a trumpet with an angled bell given to him by Dizzy. One could pick any cut off of this Hard Bop classic and point to it as exemplar of Morgan’s virtuosity (we’re particularly taken with “Moment’s Notice”… this week), but the title track is justly celebrated as one of the trumpeter’s greatest solos.
(via therecordlegacy)
(Source: capsando, via namanhaseguinte)
